Απόσπασμα: "pizzifini"haha i deserve that
thanks for the replies
Sorry, I couldn't resist.
It's an easy mistake to make. Unfortunately I only have the Reischspfennig version of that coin, not the Retentpfennig coin so I can't replace it. Perhaps another member has a better copy of that coin?
It's a common mistake, you often see these coins with some worn at the base of the date.
But if you look close enough (enlarging the picture always helps):
I was just indicating that the reason he thought it was a mistake was because he hadn't dealt with the coins before. It's an easy mistake to make if you're not familiar with the time period the coins were issued.
When you look at anything long enough, you start to see things.
Why do the ears on the right each have two stems, and the ones on the left have two, one and three each? Who would expect this kind of assymetry from Germans , of all people?
I guess it's art. I really love the art deco on coins from the 1920's. No kidding.
It is also worth notice that the Rentenmark seems to be the first series featuring oak leafs, which have appeared on pfennigs ever since, and are now even on the 1-2-5 euro cent.
Απόσπασμα: "ArnoV"Why do the ears on the right each have two stems, and the ones on the left have two, one and three each? Who would expect this kind of assymetry from Germans , of all people?
Arno, I've been noticing this on these coins ever since you mentioned it, and it bugs me every time now! Thanks ever so much!
I'm not a specialist in art, but I think the assymetry comes from the artist's desire to give the ears a tilted look, as if wind blown. The bottom of the right most stem is in a vertical line with the points where the right ears join the stems, while this is not so on the left side. So there's wind coming from the left, and it is not far-fetched to interprete this in a political way: the art scene of the time was heavily inspired by the socialist movement, and as a matter of fact, Germany was not really far away from becoming a communist state in the 1920's.
Also, rendering natural shapes as geometrical shapes, like the diamond motive here, was common for the art of that period.